Unveiling the art of Indigenous threaded hairstyles in some selected areas in Ghana

Authors

  • B. Quampah Sunyani Technical University, Sunyani, Ghana.

DOI:

https://doi.org/10.26437/ajar.v10i2.814

Keywords:

Art. hairstyle. indigenous. threaded. unveiling

Abstract

Purpose: Indigenous threaded hairstyles are integral to cultural sustainability in many communities, which has recently been a cardinal discourse at global and local levels. This paper focused on unveiling the art of threaded hairstyles in some selected areas in Ghana.

Design/Methodology/Approach: This article employs an interpretivism approach, which requires inductive reasoning and a small sample size. A purposive sampling method was adopted for this study. Relying on in-depth interviews, data were gathered from ten (10) hairstylists, five (5) artists,  eight (8) threaded hair wearers and one anthropologist, as well as four (4) respondents from the cultural centres, with two from the Centre for National Culture in Kumasi and the other two from Centre for National Culture in Accra. The data was analysed using thematic analysis.

Findings: The findings revealed four (4) distinct threaded hairstyles, two from the Ga Traditional Area and the other from the Kumasi Traditional Area. These hairstyles are portrayed in four primary visual art forms, the dominant being body art. Other art forms that appeared scantly were ceramic and wood sculptures. They all portray social symbolism.

Research Limitation: This research focused on unravelling the art forms of Indigenous hair threading in the Kumasi Traditional Area and Ga Traditional Area of Ghana.

Practical implications: This paper could help us understand the aesthetics of hair threading dynamics in Ghana and other developing countries.

Social Implication: This study will assist development policy-makers in addressing sustainable Indigenous artworks, such as hair threading, by ensuring social, economic, and environmental stability for present and future generations.

Originality/ Value: This study is based on a Knowledge Transfer Breakdown of the creativity and continuity of artistic tradition and the employable skills of human resources who make judicious use of available materials within their immediate environment.

Author Biography

B. Quampah, Sunyani Technical University, Sunyani, Ghana.

Dr. Bernice Quampah is a Lecturer at the Department of Communication Studies, Faculty of Business and Management Studies, Sunyani Technical University, Sunyani, Ghana.

References

Aberdeen, N. (2006). The golden stool: A study in the efficacy of African religious

symbolism. In NAAAS Conference Proceedings (p. 1314). National

Association of African American Studies

Antwi, E., & Bonsu, G. A. (2024). Afro-Identity Redemption: Decolonizing

Hairstyles of Girls in Ghanaian Senior High Schools in Promotion of Cultural

Sustainability. Journal of Science and Technology (Ghana), 42(3), 110-117.

Appiah-Kubi, O. P., Inkum, P. B., Owusu-Ansah, P. P., Akomeah, R., Agyakwa, E.

A., Wu, Z., & Feng, X. (2022). Historical Overview of the Traditional

Ghanaian Seats. International Journal of Culture and History, 9(2), p55-p55.

Asante, M. K. (2020). Afrocentricity. In Routledge Handbook of Pan-Africanism

(pp. 147-158). Routledge.

Asante, M. K. (1980). Afrocentricity: The theory of social change. Buffalo, NY:

Amuliefi.

Busetto, L., Wick, W., & Gumbinger, C. (2020). How to use and assess qualitative

research methods. Neurological Research and practice, 2(1), 14.

Braun, V., & Clarke, V. (2013). Using thematic analysis in psychology. Qualitative

research in psychology, 3(2), 77-101.

Campbell, S., Greenwood, M., Prior, S., Shearer, T., Walkem, K., Young, S., ... &

Walker, K. (2020). Purposive sampling: complex or simple? Research case

examples. Journal of research in Nursing, 25(8), 652-661.

Dove, N. (1998). African womanism: An afrocentric theory. Journal of Black

Studies, 28(5), 515-539.

Dursun, B. (2023). A qualitative research technique: Interview. Disiplinlerarası

Eğitim Araştırmaları Dergisi, 7(14), 100-113.

Falola, T. (2022). Decolonizing African knowledge: Authoethnography and African

Epistemologies. Cambridge, Cambridge University Press.

Karenga, T., & Tembo, C. (2012). Kawaida womanism: African ways of being

woman in the world. Western Journal of Black Studies, 36(1), 33.

Kwakye-Opong, R. (2014). Clothing and identity: Ga deities and spiritual

responsibilities. Arts and Design Studies, 25, 47-60.

Leyew, Z. (2024). Indigenous knowledge practices in danger of extinction due to

cultural and environmental changes: The case of Gojjam, Amhara region. Ethiopian Journal of Language, Culture and Communication, 9(2), 30-75.

Onebunne, J. I. (2023). African Philosophy Of Education For African

Decolonisation. Journal of African Studies and Sustainable Development.

Opare-Darko, F. M., & Dennis, A. (2023). Body adornment among the Krobo in

Ghana: Hair, a crowning glory. Journal of African History, Culture and

Arts, 3(2), 87-104.

Quampah, B. (2024). An Exploration of The Cultural Symbolism of Some

Indigenous Cosmetic Hair Variants in The Dormaa Traditional Area, Ghana. African Journal of Applied Research, 10(2), 258-282.

Randle, B. A. (2015). I am not my hair: African American women and their

struggles with embracing natural hair! Race, Gender & Class, 22(1-2),

-121.

Rattray, R.S. (1927). Religion and Art in Asante. Clarendon Press.

Renteln, A. D. (2004). Visual religious symbols and the law. American Behavioral

Scientist, 47(12), 1573-1596.

Sherrow, V. (2023). Encyclopedia of hair: a cultural history. ABC-CLIO.

Shuaib, S. O. (2020). African traditional body art and contemporary

realities. International Journal of Humanitatis Theoreticus, 3(1), 127-140.

Sibani, C. M. (2018). Impact of western culture on traditional African society:

Problems and prospects. Journal of Religion and Human Relations, 10(1), 56-72.

Sieber, R., & Herreman, F. (2000). Hair in African art and culture. African Arts,

(3), 54-69.

Whitehead, M. M. (2018). Applying Afrocentric theory to mezzo practice with

African–Americans. Journal of Human Behavior in the Social Environment, 28(2), 125-141.

Downloads

Published

2024-12-31

How to Cite

Quampah, B. (2024). Unveiling the art of Indigenous threaded hairstyles in some selected areas in Ghana . AFRICAN JOURNAL OF APPLIED RESEARCH, 10(2), 348–370. https://doi.org/10.26437/ajar.v10i2.814